The Perfect Neighbor Review: Examining a Notorious Incident Via the Lens of a State Cop's Body Camera

The real-life crime category has an innovative format, or perhaps even a completely fresh vocabulary and structure: officer-worn camera recordings. Countenances of those harmed, witnesses and possible perpetrators loom up to the cameras, at times in the intense brightness of vehicle beams or torches as the police arrive, their expressions and tones expressing wariness or panic or indignation or suspiciously contrived innocence. And we often catch sight of the faces of the law enforcement personnel, one waiting impassively while the other conducts the inquiry with what occasionally seems like extraordinary diffidence – though maybe this is because they know they are being recorded.

An Emerging Pattern in Documentary Filmmaking

We have already had the streaming service true-crime documentary The Gabby Petito Case, about the killing of an social media personality by her boyfriend, whose primary focus was officer recordings and in which, as in this film, the police seemed surprisingly lenient with the perpetrator. There is also Bill Morrison’s Oscar-nominated short Incident, made exclusively of officer footage. Now comes Geeta Gandbhir’s documentary about the tragic incident of a Florida mother in Ocala, Florida, a African American woman whose children reportedly bothered and antagonized her neighbor, a local resident. In 2023, after an increasing number of neighbour-dispute incidents in which the authorities were summoned multiple times, Lorincz shot Owens dead through her closed front door, when Owens went to the neighbor's residence to address her about throwing objects at her children.

The Police Inquiry and Legal Context

The investigating authorities found evidence that Lorincz had done online research into the state's self-defense statutes, which allow householders and others to use firearms if there is a significant presumption of threat. The documentary builds its story with the body cam footage generated during the repeated police visits to the scene before the killing, and then at the horrific and chaotic incident site itself – prefaced by emergency call recordings of the caller contacting authorities in a dramatically trembling voice. There is also jail video of the individual which has a chilly, queasy fascination.

Depiction of the Suspect

The film does not really suggest anything too complicated about Lorincz, or any extenuating circumstance. She is clearly unstable, although the kids are heard calling her a derogatory term, an ugly jibe. The production is presented as an illustration of how “stand your ground” laws lead to unnecessary and heartbreaking bloodshed. But the reality of firearm possession and the second amendment (that historic American constitutional privilege that a deceased pundit notoriously said made firearm fatalities a price worth paying) is not much highlighted.

Officer Questioning and Gun Culture

It is feasible to watch the officer questioning segments here and feel astonished at how minimal concern the police took in this aspect. When did she buy her gun? Did she receive any instruction on handling it? Was this the first time she discharged the weapon? Where did she store it in the house? Was it just on the couch, loaded and ready? The police aren’t shown asking any of these undoubtedly important questions (though they may have done in recordings that didn’t make the edit). Or is gun ownership so normal it would be like asking about microwaves or bread heaters?

Arrest and Aftermath

For what appeared to her local residents a very long time, Lorincz was not even arrested and charged, only held and even offered a hotel stay away from home for the night (another point of comparison, by the way, with the a prior incident). And when she was ultimately officially taken into custody in the holding cell, there is an extraordinary sequence in which Lorincz simply declines to rise, refuses to put her wrists out for the cuffs, not hostilely, but with the courteously pathetic demeanor of someone whose mental health means that she just can’t do it. Did the gentle handling up until that point encouraged her to think that this might actually work?

Conclusion and Verdict

It didn’t; and the panel's decision is revealed in the closing credits. A deeply sobering picture of American crime and punishment.

The Perfect Neighbor is in theaters from October 10, and on the streaming platform from 17 October.

Donna Saunders
Donna Saunders

A meteorologist and tech enthusiast with a passion for making complex topics accessible and engaging for readers worldwide.